DANCING PAPER
Paper ceases to be a flat surface and becomes spatial rhythm. These sculptural compositions are constructed on the edge of motion and stillness, where each fold holds the memory of a gesture — precise yet free. The works explore how a single sheet, touched by minimal intervention, can embody the paradox of control and chaos. They are not representations of movement, but spatial traces of it — breath made visible, time suspended in paper. The viewer is invited to navigate the silent dance between volume and void, where structure curves into emotion, and paper transcends its static essence. This is not paper as medium, but as dancer — folding the air, folding time.
TRANSCENDENCE OF FORM
Form emerges, dissolves, returns — always in motion. These works capture the moment when a flat surface folds into volume. Each curve is a trace of motion, each edge a structure. Seen through the lens, the form flattens again — mass becomes light, gesture becomes image. What remains is a visual memory of transformation.
PAPER KINGDOM
Paper rises into architecture — composed, rhythmic, yet filled with quiet tension. These sculptural forms resemble sovereign figures or ceremonial artifacts, shaped by the dialogue between control and unpredictability. Each fold is precise, but the repetition hints at potential disruption, as if the order could collapse into motion. The works explore how structure becomes symbol — of dignity, memory, hierarchy — without ever losing the fragility of the material. The viewer is invited to witness paper balancing on the edge: stately yet delicate, symmetrical yet alive, where order holds form, and chaos pulses beneath the surface.
ASEMIC PEOPLE
In this series, abstract language transforms into a human form. The figures emerge from the nonverbal flow of asemic writing, yet they retain a sense of identity and presence. Each portrait captures the complexity of thought and emotion, expressed through a silent visual language that speaks beyond words. These are not just representations of people — they are manifestations of individuality, built from the inner world of lines and patterns. The viewer is invited to engage with the figures as both familiar and mysterious, reflecting on the unspoken connections that define who we are.
ASEMIC THINKING HEADS
This series captures figures poised on the brink of thought, where their heads become abstract manifestations of boundless, asemic expression. The simple sketch of the body contrasts with the complexity of the head, which represents the inner workings of the mind — a space where thoughts have no clear language, only form. These figures are a statement, a manifesto of open thinking, embodying those who dare to break from convention. Each head is a mirror of the viewer’s own mental landscape, inviting reflection on the infinite possibilities that live within our thoughts.
ASEMIC THOUGHTS
In this series, the act of creation becomes a meditative journey, where a single unbroken line traces the artist’s thoughts and emotions. Each piece represents the flow of life — with a clear beginning and end — yet the path itself remains unpredictable. Like a stream of consciousness, the works unfold in real time, free from premeditation or constraint, allowing the process to guide the hand. Once complete, the abstract forms reveal hidden patterns and meanings, open to interpretation. Each viewer is invited to find their own story in the intricate web of lines, becoming part of the artwork’s unfolding narrative.
TRINITY
TRINITY reflects the harmony and interconnectedness of distinct elements, symbolizing the unity of body, mind, and spirit. Through the subtle interplay of three overlapping forms, the work embodies the idea that individual parts, when joined, create something more profound than their sum. This series explores how multiplicity gives rise to new dimensions, reflecting the complexity of identity and perception. It invites contemplation on the idea of completeness through convergence, where new forms of meaning emerge from the merging of the three.
HOMAGE
This series transcends a traditional tribute, redirecting the geometric purity of Albers’ "Homage to the Square" towards a deeper spiritual reflection. By shifting the squares off-center, the work introduces a sense of movement that departs from Albers' static compositions. The placement in the upper-left corner evokes Malevich’s iconic Black Square, positioned in the red corner of Russian homes — the sacred space for icons and devotion. Here, the square becomes a symbolic return to the Creator, the origin of color, form, and existence itself. HOMAGE is an exploration of creation, reverence, and the eternal interplay between the physical and the divine, guiding the viewer into a meditative encounter with the essence of color and form.
MULTIPLEX
This series explores the interplay between simplicity and depth, where a single continuous gesture unfolds into intricate, multidimensional forms. The works challenge perception, suggesting multiple layers of reality within a seemingly straightforward structure. MULTIPLEX invites viewers to engage with both the clarity and the ambiguity of geometry, evoking a sense of order that is at once stable and fluid. It reflects the tension between what is seen and what is imagined, drawing the viewer into a contemplative space where complexity is born from minimalism.
IMPOSSIBLE
This series invites the viewer into a realm of optical illusions and shifting perceptions. The complex interplay of lines creates forms that seem to defy logic, where shapes appear fluid and multifaceted, depending on how they are observed. IMPOSSIBLE explores the boundaries of perception, blurring the lines between reality and illusion. It challenges the viewer to engage with the work actively, as each figure transforms based on the perspective and imagination brought to it. These pieces are not fixed; they evolve, reflecting the impossibility of singular interpretation.